The report provides an updated study on the Egyptian farmer and his image, his rights and issues of quality in the species of different literary types; where the report monitors how the presented species of different literary figure the Egyptian farmer, and forms of this introduction, and through a variety of models selected in each type of literary genres of the difficulty of providing comprehensive monitoring of all literature works presenting the Egyptian farmer in their context, or the farmer has been centered in with his world and concerns.
The reports deal with the writers dealing with the Egyptian farmer depending on the question of literary genre to which it belongs the work or text, and through three sections; which are:
1- Poetry: the separation between the researcher procedural poetry and classical Arabic poetry written in the colloquial language of Egypt. And conducted an analysis of how the submission farmer in the hair through a limited number of forms of poetry, it was their own models in the poetry of classical Arabic: (The necessity of what it takes: Naguib Sorour), and (Silt Speaking: Mohammed Afifi Mattar), and (To the past day: rose peace). It models belong to the stages and different schools of poetry, perhaps close to where my book "the necessity of what is required" and "talk clay" time-bound as books in the sixties of the twentieth century.
As in the poetry the Egyptian slang; the researcher depended on some poems of (Peram El Toonsy) in addition to the books of: (The messages of Usta Haragy El qot: Abdul Rahman Al Abnoudi), and (When they said That's a boy: Lady Farouk). And mostly test lattice belong to different points in time back to different periods of the twentieth century, between the beginnings represented in (Peram El Toonsy), and the beginnings of the second half of the twentieth century, (The messages of Usta Haragy El qot ), and the end of the twentieth century represented in the (When they said That's a boy) .
2- Short story: This study or any other study can not count in their research the entire short stories written in Arabic in Egypt since the beginning of the twentieth century, but they can be looking for purpose in a number of selected models. Therefore; researcher analysis of how it dealt with literary success in short stories through a limited number of models of short stories; such stories: "The village topic" by the writer (Mahmoud Taher Lachin), and "The Owl sound" of the group (The devil's daughter: Mahmoud Timor) , and "The thread that is in heaven" and "The murderer" and "The dream" from the group of (The Golden Ship: Mahmoud Al-Badawi), and "Al naddaha" from the group of "Al naddaha": Youssef Idris), and "The mill of Sheikh Mousa" and "The beloved by the sun" from the group of (Three big trees produce oranges: Yahya Taher Abdullah), and "The Pony" and "Grandpa Hasan" from the group of (The tambourine and the box: Yahya Taher Abdullah), and "A rural story " and "The Story of the upper Egyptian, who was fatigue and slept under the wall of the old mosque" from the group of (Tales for the Prince to sleep: Yahya Taher Abdullah), and" Maaroof "and "Sheikh Taha" and "Where is God"from the group of (Where is God: Karam Saber). This collection of stories established by the researcher as models for the study reflect the varying periods of time can represent our progress in writing the story sternal Egyptian and diversity of the vision of the peasant Egyptian, what the stories belong to the beginnings of writing short stories at the beginning of this century "The village's topic" through the stories (Mahmoud Badawi) and (Youssef Idris) and the end to the stories (Yahya Taher Abdullah) at the end of the twentieth century, and finally stories (Karam Saber) from the beginnings of the century atheist and twenty, enabling the researcher to monitor the picture presented by them to write short stories Egyptian farmer and how to put him and his issues and concerns.
3- The novel: The number of stories set in the Egyptian countryside, or dealing with personal Egyptian farmer and the changes that have riddled the times through different ages is large; Since the Egyptian novel was started with (Zainab: Muhammad Hassan Heikal) and the novels go back to the mine's rich extracts from texts-fiction can proudly appear among Central texts features of the world simply. The researcher selected a set of texts feature a number of flags of this genre in the time periods varied, to reflect mainly about how much wealth that is going on in this genre, and the richness of the texts that dealt with the farmer in the Egyptian context, a figure central to, the stories do not belong to what can be considered a novel historical or a personal account. And the models features taken by the researcher as models for study vary; namely: (Zainab: Mohamed Hussein Heikal), (Good morning: Yahya Hakki), (Diaries of a Parliament members in rural areas: Tawfiq al-Hakim), (The forbidden: Youssef Idris), (The necklace and bracelet: Yahya al-Tahir Abdullah), (Aunt Safiya and the Monastery: Bahaa Taher), (The pain of being away: Yousef Al kaeed), (The grave: Karam Saber).
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